I know Lightroom very, very well. I’ve been writing about it for years. A large part of this site’s content is devoted to Adobe Lightroom tips and tutorials. That means, though, that I also know its weaknesses, and there are plenty. So I thought I’d run through the editing steps I used on this photo and why I did them in DxO PhotoLab and not Lightroom.
Tutorials
This is how Capture One makes your wide-angle lenses even wider!
I’ve been puzzling over this for a while but now I think I know the answer. This is how Capture One (and DxO too, by the way), can appear to ‘see’ a wider angle of view than the camera can. It’s a particular characteristic of wide-angle lens corrections that looks like it shouldn’t even be possible but has a rational and extremely interesting explanation.
ON1 Photo RAW 2025 has a new Depth Map feature – here’s how it works
A depth map is a mask that can separate objects at different distances from the camera. Some phones have depth mapping built in, but cameras don’t. However, ON1 Photo RAW 2025’s new Depth Mask tool can use AI to analyse the objects in a scene and work out their distance. Imagine a luminance mask, but applied to distance not brightness!
Edit history: Stormy sky over pier
There’s this idea in digital photography that your gear or your software must be at the heart of everything you do. That’s not true. The art of photography lies not in the tools you use, but knowing what to do with them.
Capture One lens correction profiles: why they seem to keep changing
Capture One can apply automatic lens corrections to fix all the common lens aberrations – distortion, chromatic aberration and vignetting. But then why does it sometimes show Manufacturer Profiles or Generic profiles instead?
Rediscover the lost art of dodging and burning in Capture One
Dodging and burning isn’t just an old-school black and white darkroom technique. It’s just as useful on color images, and Capture One’s Style Brushes update this classic technique with powerful digital enhancements.
Recreating an 1970s analog street photography vibe in Capture One
Recreating the look of analog films is a surprisingly subtle job that can require several different tools. There are of course magic filters for mobile apps that attempt to achieve the analog look, and desktop applications that have powerful and effective analog presets, like the DxO Nik Collection or ON1 Photo RAW. For this project I’m creating my analog effect manually in Capture One – though you can do the same in Lightroom (see the brief instructions at the end) and other photo editors.
Are these sliders the key to high ISO image quality in Lightroom?
The Noise Reduction and Sharpening sliders might be the obvious go-to tools for optimizing high-ISO images, but these can easily leave you with soft, wishy-washy detail or exaggerated noise as you try to play one off against the other. In fact, there are better ways to get your high-ISO images looking smoother and sharper.
How to get the XPan ‘look’ in Lightroom
The Hasselblad XPan was a classic 35mm ‘panoramic’ camera developed in partnership with Fujifilm. What made it special was its unique widescreen aspect ratio, creating images measuring 65mm x 24mm on 35mm film. You can recreate this unique perspective in Lightroom, together with some of the XPan’s analog rendering. Here’s how.
How to apply corner sharpening in Lightroom with a simple preset
Lightroom Classic has built-in lens correction profiles for fixing distortion and corner shading in countless camera lenses. It also fixes chromatic aberration, or color fringing, via a separate checkbox. The one thing it doesn’t have is corner softness correction – but there is a way around that.