So until now I’ve been thinking of dynamic range recovery as being a combination of highlight recovery and shadow recovery. But actually, I’m starting to think that if my highlights are blown, that’s maybe not a dynamic range issue, but an exposure error on my part. I’ll explain what I mean.
Josef Sudek was a photographer from what is now the Czech Republic who had a characteristic style, particularly later in his life, when he drew inspiration from the objects that surrounded him and the effects of light. His images were deep, soft and mysterious. But is it possible to achieve some of that look digitally without producing just a cheap, fake effect?
Editing processes are very selective, and different photographers will have different approaches. Even the same photographer can have different approaches at different times. Just as it’s not always easy to cull your images, it’s not always easy to decide on the best way to edit them.
I know Lightroom very, very well. I’ve been writing about it for years. A large part of this site’s content is devoted to Adobe Lightroom tips and tutorials. That means, though, that I also know its weaknesses, and there are plenty. So I thought I’d run through the editing steps I used on this photo and why I did them in DxO PhotoLab and not Lightroom.
I’ve been puzzling over this for a while but now I think I know the answer. This is how Capture One (and DxO too, by the way), can appear to ‘see’ a wider angle of view than the camera can. It’s a particular characteristic of wide-angle lens corrections that looks like it shouldn’t even be possible but has a rational and extremely interesting explanation.
A depth map is a mask that can separate objects at different distances from the camera. Some phones have depth mapping built in, but cameras don’t. However, ON1 Photo RAW 2025’s new Depth Mask tool can use AI to analyse the objects in a scene and work out their distance. Imagine a luminance mask, but applied to distance not brightness!
There’s this idea in digital photography that your gear or your software must be at the heart of everything you do. That’s not true. The art of photography lies not in the tools you use, but knowing what to do with them.
Capture One can apply automatic lens corrections to fix all the common lens aberrations – distortion, chromatic aberration and vignetting. But then why does it sometimes show Manufacturer Profiles or Generic profiles instead?
Dodging and burning isn’t just an old-school black and white darkroom technique. It’s just as useful on color images, and Capture One’s Style Brushes update this classic technique with powerful digital enhancements.
Recreating the look of analog films is a surprisingly subtle job that can require several different tools. There are of course magic filters for mobile apps that attempt to achieve the analog look, and desktop applications that have powerful and effective analog presets, like the DxO Nik Collection or ON1 Photo RAW. For this project I’m creating my analog effect manually in Capture One – though you can do the same in Lightroom (see the brief instructions at the end) and other photo editors.