Cataloguing software explained: how does it work and do you need it?
Cataloguing software can organize your entire photo collection, but how does it work and what do you look for?
Want to know more about photography theory and jargon? Here’s a selection of articles that explains some key terms and concepts in what is hopefully plain language.
Cataloguing software can organize your entire photo collection, but how does it work and what do you look for?
Selections and masks are subtly different, and the ‘parametric’ masks in non-destructive editors give more flexibility than ever.
Metadata is image information stored alongside or within a photo. You don’t see it in the image, but it can be read by different software applications to help filter, sort, search or identify images.
Black and white photography is as popular now as ever. Here are some key things to know about black and white photography with digital cameras, and how they change the way you see, shoot and edit black and white.
‘Local adjustments’ is a bit of a catch-all term. It means picking out an area of an image for adjustment while leaving the rest unchanged. So how do local adjustments work and which software does them best?
Plug ins and external editors are part of most photographers’ workflows. But how do they work and what’s the difference?
Photographers often use the terms ‘shadows’, ‘midtones’ and ‘highlights’ as if their meaning is obvious. Perhaps it is, but it still probably deserves a little explanation.
Layers are a central part of many photo editing processes, but they come in a number of different types, notably image layers, adjustment layers, type layers and vector layers.
Many photographers prefer to work with RAW files – but what are they, how do you work with them, and why are they so much better than regular in-camera JPEGs?
Generally, those who object to subscription software do so on principle while those who embrace it do it out of practicality. That’s two different sets of reasons.