Porthleven power lines in Lightroom: one LUT, three graduated filters. How a series of tools and effects can be used in combination towards an overall ‘look’.
Color is great, most of the time. But sometimes colors can fight with each other or just undermine the mood you’re trying to create. This is where an understanding of how your software’s color controls work can be a big advantage.
You might assume your RAW processing software shows you everything captured by the camera, but that’s not always the case. Where the camera is applying digital lens corrections, there may be more ‘image’ outside the regular image area that you wouldn’t normally see.
If you’ve got Lightroom CC or Lightroom Classic you’ve got an Adobe Creative Cloud account, and this means you can synchronise photos between the Lightroom catalog on your computer, your Lightroom online web space and your mobile device. You can do this with either version of Lightroom, but Lightroom CC is built to do this […]
Global HSL adjustments aren’t very useful. If you shift the global hue of an image it quickly looks wrong. The real strength of the HSL system is the way it lets you separate and edit individual colors.
What is the best way to organise your images in cataloguing software? You can use folders, albums, keywords, ratings, color labels, flags… but you should use just what you need. You don’t have to use them ALL.
If you are anything like me and you don’t cull your images, you risk drowning in a sea of duplicates, RAW+JPEG pairs, half-finished experiments, virtual copies and images that were probably not worth shooting but you never got rid of. It’s only when you get rid of all the images that AREN’T contributing anything that you can really start to work on those that ARE.
Culling your photos after a shoot is the only way isolate your best shots and get rid of the clutter. But does culling anxiety get in the way? If you can’t bring yourself to delete any photo, JUST IN CASE, here’s what you can do about it.