White balance sounds a pretty simple image adjustment, but there’s a little more to it than meets the eye. Here are 12 white balance tips that might help you get the results you want and explain what’s gone wrong if you don’t.
Masking complex outlines can be a slow and fiddly business, but there are tools to help, and once you’ve got your mask, there’s a lot you can do with it.
The best Nik Collection plug ins are so deep you might never completely get to the bottom of what they do. Here’s a series of tips and ideas for Color Efex Pro, Silver Efex Pro, HDR Efex Pro, Analog Efex Pro and Viveza.
Luminar is one of the most exciting image editors on the market. It’s also one of the fastest changing and quirkiest, so it’s not always easy to keep up with what’s new, what’s changed and where to find the tools and settings you need and why this list of Luminar tips could prove useful, both […]
The Luminar 4 Library window is where you do all of your image opening, importing and organizing. You select the Library view using the first of three buttons (6) at the top of the tools panel on the right. The second button (7) is for the Edit view. The third Info view (8) simply displays […]
Lightroom comes in two versions. Lightroom Classic CC, the ‘desktop’ version, is probably the most popular, especially amongst long-term Lightroom users, but Lightroom CC has a lot to commend it. On the downside, it means paying extra for Adobe Creative Cloud storage – the 20GB with the regular Photography Plan is not enough, and the […]
Histograms just show you what’s happening in your images, they’re not there to tell you what to do. But there’s an old adage from the days of film photography that you should still be able to see some detail in the darkest and brightest parts of your pictures, and that’s carried through into digital photography. […]
How do you stop your photos being cropped awkwardly on Instagram? It’s not about pixel sizes, it’s about aspect ratios, and here’s what you need to know.
Cropping a photo is usually seen as a creative choice, but in the real world it’s not always quite that simple. Very often, you need to produce an image to fit a specific display size or aspect ratio, and you won’t know what that is until the time comes.
With just a couple of exceptions, all digital cameras capture in colour, so if you want black and white you can either use the camera’s monochrome mode, which will simply convert the image in-camera, or you can carry out the conversion on a computer. But which conversion method works best?