The traditional method of using sensitised materials and chemical processing to capture and reveal images. Also called ‘analog’ photography today.
Verdict: 3.5 stars DxO FilmPack 8 sets out to replicate the look of classic analog films and processes with true scientific and historical accuracy. Does it succeed? Yes, but while its renderings are faithful and evocative, the absence of local adjustment tools can give you some workflow headaches and it lacks the madness/genius of Nik Analog Efex.
Digitizing analog negatives is easier said than done. Black and white film poses no problems, but the orange/amber mask of color negative film is a real headache for photo editors, producing strong and unpredictable colour shifts even from one shot to the next. Capture One’s update promises to fix that with concrete digitizing advice and time-saving negative conversion tools.
Silver Efex, part of the DxO Nik Collection is one of the best editing tools you can get for black and white photography, but the range of tools available and their interactions can sometimes be difficult to unravel. So here’s a guide to one of the most basic and effective tools of all – Film Styles. It’s often enough, even on its own, to produce rich and satisfying black and white versions of your digital images.
Kodak HIE infra-red film was one of my favorite films, delivering dense black skies, dreamy soft highlights and heavy grain. Can I get the same effect digitally?
Digital cameras typically offer a range of ‘picture styles’ to suit different subjects or different tastes in color rendition. Canon calls these Picture Styles, Nikon calls them Picture Controls and other camera makers have their own names.
Modern cameras can reproduce the world with utter, clinical accuracy. The trouble is, it turns out that’s not what we wanted after all. A lot of the time, what we actually want is the faded, distressed, imperfect look of analog photography. So here are six top tips for getting that analog film effect ‘look’ with…
I love film. It’s what I grew up with, and it’s what I made most of my photographic discoveries – and mistakes – with. I love its richness, depth, unpredictability and character. So I’m especially interested in any film simulation software which promises to replicate the look and feel of traditional silver-based films. But I’m…