This is part 1 of a mini-series on how I organise my photo library. I’m posting this because keeping an ever-growing library of photos organised is a challenge for all of us, and I thought I’d explain a system that’s worked for me for fifteen years – so I’m guessing it must be half right….
In photography, things don’t always come together as you’d want them to. Sometimes you get wonderful lighting but there’s no effective subject in front of the camera for bringing it out, and sometimes you’ve got a good subject but the lighting isn’t right. This is one of those situations. I thought the couple walking a…
There’s colour photography and there’s black and white, but sometimes there’s something in between which has its own very distinctive look. This tutorial is all about selective colour – making a black and white image but with one single colour preserved. In this case it’s red, which is usually the most popular choice for this…
Very often in landscape photography you get the landscape or the lighting you want, but not the sky. In the perfect world you’d keep going back again and again until everything was perfect. In our not-so-perfect-world, however, it’s sometimes useful to be able to add a new sky later, as the final touch to an…
It does seem a bit perverse, adding colour to a black and white image which used to be colour in the first place, but hand-coloured (or digitally-coloured) black and white has a very particular ‘look’ that colour images just don’t have. So this image (below) is one I originally shot in colour but then reworked…
Zoom blur is a popular bit tricky little technique where you zoom the lens during the exposure so that you get a kind of radial blur from the centre of the picture. This means using a shutter speed long enough to capture this rapid zoom movement, which usually means you get plenty of regular blur…
You normally associate soft focus effects with portraits, but they can work on all kinds of images, adding a romantic, dreamy feel to an everyday scene. Landscapes, for example, are often given a dramatic, brooding look when sometimes the emotion we feel is much lighter. Here’s an example. This tree-lined avenue felt bright, airy and…
With careful use of levels and curves adjustments you can rescue even the faintest and most faded artworks and restore both saturation and contrast. Levels and curves are two of the most basic adjustment tools in any image-editing program, but there’s often confusion about which to use and when, and it often appears as if…
Modern lenses are pretty good at creating even illumination across the frame, and if there is some corner shading (vignetting) you can use software to eliminate it. However, sometimes vignetting is good! Especially if you can control it creatively to improve your picture’s composition and contrast. This image below has all the ingredients for a…
Digital images don’t have much texture. Your subjects might, of course, but the way cameras render tones is glassy-smooth (at low ISO settings anyway) and sometimes a little sterile. Adding a texture digitally can make a picture look more interesting, more tactile and more ‘hand made’. Textures can be very subtle, like the fine texture…