Like all good black and white photo editing tools, Silver Efex can ‘filter’ the colours in your digital images to translate them into different shades of grey. You can replicate the effect of traditional black and white ‘contrast’ filters, achieving dramatic blue skies with a red filter effect, richer landscape tones with a yellow filter effect and more. Here’s how it works.
Depending on who you ask, either Photoshop or Lightroom is the world’s most popular photo editor. I’d be inclined to back Lightroom, given that it’s clearly photography-focused, whereas Photoshop is really a design tool that also does photography. But both miss a huge part of the photography style spectrum – what I’m going to call ‘organic’ photography.
The Basic Adjustments panel is one of the ‘optional’ Filters in Nik Silver Efex 8. What this means is that if you are building an effect from scratch, you can add it manually from the list of Filters in the left sidebar, or not use it at all. You will find it’s included as standard in many Silver Efex presets, though, and despite being ‘Basic’, it’s actually central to a lot of black and white ‘looks’.
Digitizing analog negatives is easier said than done. Black and white film poses no problems, but the orange/amber mask of color negative film is a real headache for photo editors, producing strong and unpredictable colour shifts even from one shot to the next. Capture One’s update promises to fix that with concrete digitizing advice and time-saving negative conversion tools.
DxO PureRAW is like a RAW file preprocessor, applying DxO’s now-legendary lens corrections and denoising to produce full-corrected DNG files that can be opened and edited as enhanced RAW files in other programs like Lightroom. And PureRAW 6 fixes a major pain point of its predecessor while adding a brand new and potentially game-changing new feature.
Silver Efex, part of the DxO Nik Collection is one of the best editing tools you can get for black and white photography, but the range of tools available and their interactions can sometimes be difficult to unravel. So here’s a guide to one of the most basic and effective tools of all – Film Styles. It’s often enough, even on its own, to produce rich and satisfying black and white versions of your digital images.
Analog Efex is one of the creative plug-ins in the DxO Nik Collection and it’s a bit of an outlier because, first of all, it was developed by Google and not Nik Software (it appeared during Google’s ownership of the Nik Collection) and secondly, because it can produce the most amazing results from filters which individually don’t seem to amount to very much. I’ll explain.
The latest version of Photoshop (January 2026) has a whole bunch of improvements which are not, for once, just about AI. Instead, there are new tools and features for photographers too (even if they are borrowed from Lightroom/Adobe Camera Raw).
So yes, Lightroom does have a Tone Curve panel which kind of does the same thing as levels adjustments, but you have to drag the black point and white point control points manually for each image – there’s no auto option. And yes, you can use Lightroom’s Auto tone adjustments, but these adjust eight different sliders at once, which is equally annoying. It’s why I keep going back to Capture One.
ON1 Effects is a key part of ON1 Photo RAW and comes with dozens of customisable photo effects and filters which can be combined in almost limitless permutations. This is the 2025 version not 2026, but it’s still packed with many of the latest AI features. Best of all, it can be used as a standalone application or as a plug-in from within Lightroom or Photoshop.