Josef Sudek was a photographer from what is now the Czech Republic who had a characteristic style, particularly later in his life, when he drew inspiration from the objects that surrounded him and the effects of light. His images were deep, soft and mysterious. But is it possible to achieve some of that look digitally without producing just a cheap, fake effect?
Vignette
Vignette effects can be very useful, both as an aid to composition and as a way of adding a vintage, 'analog' look.
A vignette can help focus attention on the main subject and tone down a distracting background. It can also act as a kind of framing device so that the picture feels properly enclosed and your eyes don't drift out of the frame.
Most photo-editing programs have a vignette tool. Lightroom, for example, has a 'post-crop' Vignette effect which adapts to any cropping adjustments you make, though its manually controlled Radial Filter is a more powerful tool for creating carefully customised vignettes.
With most vignette tools, you can choose the strength of the effect, its size, whether it's circular or rectangular or somewhere in between, and how smoothly it blends into the rest of the picture. Sometimes you can choose where to place the centre of the vignette too.
Recreating an 1970s analog street photography vibe in Capture One
Recreating the look of analog films is a surprisingly subtle job that can require several different tools. There are of course magic filters for mobile apps that attempt to achieve the analog look, and desktop applications that have powerful and effective analog presets, like the DxO Nik Collection or ON1 Photo RAW. For this project I’m creating my analog effect manually in Capture One – though you can do the same in Lightroom (see the brief instructions at the end) and other photo editors.
Edit History: Battery Point Lighthouse in Lightroom Classic
Battery Point lighthouse. Using Lightroom Classic’s Profiles, Color Grading, Post Crop Vignetting and Radial Filter tools to create a strong black and white image.
Black and white portrait enhancement: how effects can work together
This black and white image uses two beautiful things: a fabulous portrait shot by Albert Dera on Unsplash and one of ON1 Photo RAW’s excellent B&W Modern presets. Portrait images don’t always convert well to black and white, but this one works brilliantly, thanks in part to the perfect portrait lighting, the strong, symmetrical composition […]
Porthleven power lines in Lightroom: one LUT, three graduated filters
Porthleven power lines in Lightroom: one LUT, three graduated filters. How a series of tools and effects can be used in combination towards an overall ‘look’.
How to customise Analog Efex Pro presets
Analog Efex Pro, part of the DxO Nik Collection, has some great vintage film effect presets, but you don’t have to use them exactly as they are provided. It’s very easy to customise and adapt these presets to give exactly the kind of look you want.
How to get started with Analog Efex Pro
Analog Efex Pro is one of the plug-ins in the Nik Collection. It works as a plug in with Lightroom Classic and Photoshop but it can also work as a standalone program or as an external editor with all sorts of other programs like Capture One, Exposure X and more. It’s designed to recreate the […]
Lens aberrations and what you can do about them
Aberrations, or optical imperfections, exist because no lens is optically perfect. Almost all lenses show aberrations from the ‘perfect’ image.
An Icelandic church edited in Exposure X
This shot of an Icelandic church looked nice enough in color but I thought it had a bit more potential as a black and white image – though there were a few issues I wanted to sort out first. For this project I used Exposure X. The same tools exist in other programs, but I […]
Moody mono with a Leica M10 Monochrom and Capture One
I met my donkey friend while I was out testing a Leica M10 Monochrom and 28mm f/2 Summicron lens. For those who don’t know, this is a rangefinder camera with manual focusing, so getting my friend’s eye sharp was a special challenge as he was getting restless because I didn’t have any carrots. The Leica […]