Elements does have some limitations compared to Photoshop. One of these is the difference in the Shadows/Highlights tools. So is there a workaround? Yes there is… The Shadow/Highlights tool in Photoshop is designed to even up the tones in high-contrast pictures. It lightens the shadow areas and darkens the highlights by selecting these regions separately […]
Tutorials
How to stack filters in Color Efex Pro 4
Color Efex Pro 4 (part of the DxO Nik Collection) doesn’t just apply individual filters – you can also combine, or ‘stack’ filters to create a cumulative effect. I’ve used it here to add a warm, dreamy glow to this minimalist landscape in order to show how this stacking system works. The start shot is […]
Create a tilt-shift effect with Snapseed
Tilt-shift effects depend on two things – an understanding of how the illusion is created and the right kind of subject. The illusion is caused by a defocusing effect before and behind the subject. This is what we’re used to seeing in close-up photography, where the depth of field is limited and only a narrow […]
Lightroom’s Graduated Filter tool in action
Lightroom’s Graduated Filter tool is great. It’s designed to replicate the effect of real-life graduated filters in landscape photography, reducing the brightness of skies so that there’s less of a contrast difference with the landscape itself. It’s not much good if the sky is so overexposed that there’s no detail left, but if you shoot […]
Boost contrast with Silver Efex Pro’s vignettes
The old-fashioned art of black and white photography went far beyond the initial picture-taking. Another, equally important creative process took place in the darkroom, where the image was dodged and burned to enhance the tones and concentrate the viewer’s gaze on the subject and composition. Dodging and burning is a bit of a lost art. […]
Give your images Clarity in Lightroom
The technical explanation of Lightroom’s Clarity slider is that it increases localised contrast to make objects, shapes and outlines stand out more clearly. The pictorial effect is that your images gain extra ‘punch’, but without pushing the overall contrast levels too high. It’s especially effective when the lighting is quite flat and lifeless, and I’m […]
Capture One Pro 7’s offline mode springs a surprise
Capture One Pro 7 is a big upgrade on the previous version, and one of the biggest additions is the built-in library function. It now works just like Adobe Lightroom, storing all your images in a searchable database, complete with Lightroom-style Collections and Smart Collections. You can also use it in offline mode. This means […]
Better sunsets with Color Efex Pro Bi-Color Filters
In the days of film you could rely on emulsions like Fuji Velvia and Kodachrome to exaggerate and intensify the colours of a sunset, but today’s digital cameras deliver a more accurate rendition… which can also be quite disappointing. This picture is a good example. Admittedly, the conditions weren’t ideal for sunsets – it was […]
Lightroom 5’s new Upright tool
Lightroom looks and feels a lot like Lightroom 4, but there are some key new features. One of these is the new Upright tool, which can automatically correct perspective problems in shots of buildings and other rectangular objects. Note: In the latest versions of Lightroom, the Upright tools are now found in the Geometry panel. […]
How to get the most from the Capture One High Dynamic Range controls
Capture One Pro 7 is not just an excellent RAW converter. Like Adobe Lightroom it has some quite sophisticated adjustment controls. In particular, the Capture One High Dynamic Range sliders are very good at extracting the maximum latent highlight and shadow detail in RAW files. This is not HDR in the usual sense, where you […]