Traditional photo editing is ‘destructive’. That means every adjustment you make permanently changes the pixels in the photo and there’s no way back unless you’ve saved a copy of the original and you’re willing to start again. ‘Non-destructive’ editing is fully reversible. You can go back and undo or redo all of your editing work at any point in the future. Naturally, there’s a catch
Featured posts
Welcome to the Life after Photoshop archive of 'Featured' posts. These are favourite articles or tutorials that appear in the carousel at the top of the home page.
Lens aberrations and what you can do about them
Aberrations, or optical imperfections, exist because no lens is optically perfect. Almost all lenses show aberrations from the ‘perfect’ image.
DxO PhotoLab Graduated Filter, Control Points and Repair tool in action
This step-by-step editing walkthrough shows a number of DxO PhotoLab tools in action, principally the Local Adjustment tools, including the Graduated Filter and Control Point tools.
Luminar tips: where to find key tools, how to use them better
Luminar is one of the most exciting image editors on the market. It’s also one of the fastest changing and quirkiest, so it’s not always easy to keep up with what’s new, what’s changed and where to find the tools and settings you need and why this list of Luminar tips could prove useful, both […]
Bits and bit depth explained
Bit depth is an important concept in digital imaging if you want the best possible image quality and if you intend to manipulate images heavily.
Lightroom tone curves explained: Tone Curve vs Point Curve vs Target Curve adjustments
Curves adjustments are one of the key tools in photo editing, and Lightroom offers three ways of making curves adjustments. What’s more, the curves tools look different in Lightroom CC and Lightroom Classic CC. Complicated? Not once it’s explained…
Dawlish Beach in black and white, with Exposure X5 adjustment layers
This project turns a regular color RAW file into a strong black and white image in Exposure X5. It uses a number of different tools so it’s a good chance to see how these work and how they can be used together. It’s also a good example the kind of image which works well in […]
RAW vs JPEG: things you can do with RAW files that you can’t do with JPEGs
Most serious photographers prefer RAW files to JPEGs. They take more time and storage, but the payback is greater quality and flexibility. It’s not a one-sided argument – JPEGs have some advantages which are obvious, and some which are not – but here are six important reasons why RAW files are the way to go […]
Luminar 4 cheat sheet: How to find your way around the Luminar 4 Library window
The Luminar 4 Library window is where you do all of your image opening, importing and organizing. You select the Library view using the first of three buttons (6) at the top of the tools panel on the right. The second button (7) is for the Edit view. The third Info view (8) simply displays […]
Free Analog Efex Pro presets (and how to install them)
Welcome to the fourth and final part of this mini-series on Google’s brand new film and camera simulation plug-in, Analog Efex Pro. It joins the existing plug-ins in the Nik Collection, now owned and distributed by DxO. Note: Following many requests, I’m republishing this article with the download link restored but the content unchanged. This […]