This is part 1 of a mini-series on how I organise my photo library. I’m posting this because keeping an ever-growing library of photos organised is a challenge for all of us, and I thought I’d explain a system that’s worked for me for fifteen years – so I’m guessing it must be half right.
I use lots of different tools for browsing, sorting and searching my images, including Lightroom, Aperture (at one time) and more. But they all rely on central folder-based folder system on my hard disk.
So I could just dump every batch of photos I shoot into a new folder and leave it at that, but I find this doesn’t give me the clarity and information I need.
For a start, the filenames created by cameras are just meaningless hieroglyphics to me, so before I add images to my central image archive, I always rename my photos according to a simple process.
- Each new batch of photos goes into a folder which I name with a unique consecutive ‘roll’ number
- Each photo within that folder than gets renamed with the roll number (the folder number) followed by a dash, followed by a unique number for each photo in that batch.
- Most of my images are digital but some are scans from films, so I also put a letter before the roll number to show which is which.
Here’s are some examples showing how my filenames can be deciphered:
d774-031.jpg: That’s image 031 from roll number d774. I know it’s digital (the ‘d’ at the start) and I know where to find it (it’ll be in folder d774 in my image archive).
c001-488.tif: That’s a scan from my archive of old colour transparencies (‘c’ for colour) in folder c001.
m097-006.tif: That’s a mono scan from my collection of black and white negatives, and that’ll be in folder m097.
n022-015: I use a different letter (’n’) to distinguish my colour negative scans.
This does add an extra step to my workflow but if gives me much more clarity later on. I know some folk get on perfectly well with folders named according to locations or events, and stick to the original camera filenames within that, or by using the Lightroom model and importing images into folders with dates, but I don’t find other methods particularly helpful and this is the one that gives me the simplest and most easily understood filing system.
Renaming photos in Adobe Bridge
You can rename files in a whole bunch of different programs, but the one I use is Adobe Bridge. Maybe it’s just habit, but I find Bridge perfect for initial image browsing, sorting, renaming and organising and I use it before adding images to my archive. All the other software I use comes afterwards – I like to get my image archive updated as my very first step.
I’m sure there are other alternatives to Bridge that would do this job, but I haven’t got around to exploring them.
The key thing is to automate the process, because it would be far too time-consuming to rename files manually. What Adobe Bridge offers is a way of ‘building’ file names from different components. I use two, and here’s how they work:
1. Text: the static folder name prefix. So following my folder naming system, I might want to put a new batch of photos in to a folder called ‘d824’. This then becomes the prefix for all the images in that folder, so the first component of my renamed files is ‘d824-‘ (the dash is there to separate it from the index number, which is next).
2. Sequence Number: the unique image number. This is the second part of the file name, and here I can configure Bridge to add a unique sequential number to each image. Helpfully, it displays a preview of how the new file name will look in a Preview section at the bottom of the dialog, which shows Current filename: DSCF4003.JPG and New filename: d709-001.JPG.
And that’s it! All my images now have unique filenames which are easier to interpret, tell me what kind of image I’ve shot and even where to find it.
So whether I then go on to use Lightroom, Capture One Pro, DxO Optics Pro, ON1 Photo RAW, Alien Skin Exposure or any other program, I’m still working from a logical central filing system that tells me where and what my files are, even out of their original context.
But what if you shoot RAW+JPEG pairs? What you don’t want is for identical images to get different index numbers. Adobe Bridge has the answer, and that’s in the next instalment of this three-part mini-series.